Wat Ho Phakeo

This temple was built in 1565 as a royal chapel and repository for the celebrated statue of the Emerald Buddha, which the Laotians had seized from Northern Thailand in 1551. The statue remained in the temple until 1778, when the Thais invaded and recaptured it, taking it to Bangkok. The temple was destroyed in 1828-1829 during the Thai sacking of Vientiane; rebuilt in 1936; and restored again in 1993. Inspired by a 19th century Bangkok temple style, it is renowned throughout Southeast Asia for its intrinsic value to Buddhist art.

Patuxai

Patuxai (literally Victory Gate or Gate of Triumph), formerly the Anousavary or Anousavari Monument, is situated in the centre of Vientiane. Built between 1962 and 1968, the Laotians built it as a mark of respect for all those who fought in the struggle for independence from the French.

Ironically, the monument bears a slight resemblance to the Arc de Triomphe, although the attention to detail and intricate design is typically Laotian, boasting four rather than two archways. The view from the top is spectacular. Built with cement that was purchased from America, with the intention of constructing a new airport, the locals sometimes refer to the monument as the ‘vertical runway’.

That Dam

Known as the ‘Black Stupa’, many locals believe this mythological structure was once inhabited by a seven-headed dragon (now dormant) that stood to protect the city from the threat of the Siamese. Another tale that does the rounds says that the gold that once graced the surface was taken when the Siamese army ransacked Vientiane back in 1828. Situated in the centre of the city, just past the US embassy, you will find one of Laos’ oldest temples.

Buddha Park (Xieng Khuan)

24km south of Vientiane, Buddha Park is in a field near the Mekong River. The park, as its name would suggest, is littered with religious sculptures and was built in 1958 by the philosopher Bunleua Sulilat who famously combined Buddhist and Hindu philosophy, mythology and iconography.

The featured gods range from Vishnu to Arjuna and many in between, all allegedly crafted by unskilled artists who followed the explicit directions of Sulilat. The pumpkin-shaped monument has three levels, each representing heaven, hell and earth.

Beyond these the roof area has a superb panoramic view of the surrounding park and river.

Laos National Cultural Hall

Built by the Chinese in the 1990’s, as a gift to the Laos people, the building is not the most attractive Vientiane has known. Occasionally French cinema and Lao classical dance events are held here within the hall, although it is difficult to access information to find out exactly when. Those interested should keep an eye on the Vientiane Times.

Laos National Museum

This French colonial building, formerly a government office block, is now used to document the struggles and the eventual overthrowing of the French and the subsequent implementation of the communist structure. The Museum Revolution is a two-storey colonial mansion, separated into different sections; each relevant to the country’s history. Departments include culture, archaeology, history and politics, with the latter two making up the majority of the display. This is an interesting way to get better acquainted with the history of Laos through the eyes of the country and visitors should keep in mind that the English translations are not that detailed but the photographs and displays are well put together and insightful all the same.